“ The Mediterranean Digital Baroque” by Spanish artist designer Jaime Hayon produced by Bosa ceramics and presented for the first time in autumn at David Gill Galleries.
Creatures that sign and defend the root of creation. The house. The head. Full of fake and plastic characters. Adult games. A virgin army defended by supersonic pigs. Engulfed in a metamorphic fragile traditional ceramic forest. A frenetic and incessant birth over a calm backdrop, a snowed park. Silence. Tension. Rhythm. Anti-conformist sophistication. Mistifying Meditteranean and Asiatic cultures.
A world in which the only precept is to dream. It is a beating park in a cold atmoshpere. Almost frozen. A vital and ironic manifesto about his personal comogony that is devised of mature languages from heterogenic worlds: his birthplace, Madrid and the Francophone culture from his childhood. Skateboarding from “cani” suburbs and baja California. Gestuality, surrealism, barroque, density, dynamism, intuition, dementia, risk, tenderness, berreber, mathematical warrior of nature, energetic strangth, delirium, hestrionic exaggeration, emulation and creativity.
